9/3/2023 0 Comments Mastering with waveburnerMLCD was the bargain mastering app that started the CD revolution. There’s simply no better value in all-around audio bundles.Before MasterlistCD, there was MasterList PDS - for Yamaha PDS Compact Disc Recorder & for the Otari DDR-10. If you can adapt to its sometimes-idiosyncratic way of working, Logic’s gorgeous-looking and great-sounding set of sound tools and toys can be irresistible. Overall, I found the depth of Logic’s sound tools worth the extra effort in learning the software. Power users may like this flexibility, and new templates can help you avoid having to fiddle with the Environment, but the separation of tracks from the underlying routing can sometimes make basic tasks confusing. Its audio and MIDI routing are based on a complex, underlying configuration called the Environment. Logic’s main Arrangement view also could be more flexible MIDI and sample-accurate audio editing require separate windows, and channel-strip settings can obscure one another on smaller displays. Apple seems to prefer that you prepare audio as Apple Loops first-not always the easiest workflow. A basic Beat Mapping feature can create some automatic adjustments based on audio transients, but it doesn’t have the level of control and automation available in the other programs. Logic’s looping is seamless when working with pre-built loops, but there’s no way to automatically slice up and warp audio that you’ve recorded (as you can in Cubase and Digital Performer), or even constrain audio to a tempo as easily as you can in GarageBand. Logic is unquestionably the best value in terms of the sheer quantity of its included instruments and effects, but the underlying editing and recording facilities aren’t for everyone. You’ll also find a new high-quality virtual guitar amp (Guitar Amp Pro) and FM synth (EFM1) in Logic Pro both are strong tools, even if they’re not as powerful as third-party options like IK Multimedia’s AmpliTube guitar amp or Native Instrument’s FM7 synth. If Apple improves these features, Ultrabeat could be the perfect drum machine. Also, when you switch patches, Ultrabeat overwrites all pattern-editor settings, making it impossible to switch soundsets after creating a pattern. An extensive bank of filters lets you adjust the timbre of your drum sounds, but Ultrabeat’s strange layout and controls make it difficult to follow routing. Ultrabeat is terrific for producing grooves, but its visually stunning interface is confusing. Version 7 also adds Ultrabeat, a versatile drum machine with incredibly powerful sound-shaping options. (If you have at least one G5 and one or more G4 or G5 Macs to connect to the G5, Logic Pro will distribute the CPU load among them via a standard Gigabit Ethernet connection.) You’ll want a high-end machine to run Sculpture, though running just one Sculpture instrument with effects used up much of my 1GHz PowerBook G4’s power, though my dual-2.5GHz Power Mac G5 didn’t have any problems. Sculpture feels like a real, organic instrument once you’ve spent some time with it even its sometimes-unpredictable sounds are part of the pleasure of using it. With Sculpture, you can create authentic-sounding percussion, string, and wind instruments, or newly imagined patches that morph between timbres and materials over time. The most impressive of the version 7 additions is Sculpture, a physical-modeling synthesizer that mimics the behavior of real instruments.
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